Down at the river at sunset, we saw herds of zebra drinking from the river’s last pools, kicking through the dust in single file. The sunset and dusk colours exploded around them in golden dust and sprays of pink water droplets. They started at any sound or movement, moving like a tide in an ebb and flow of fear: retreat at speed and a watchful return. Their muzzles touched the glass surface of the water, giving no hint of drinking. As the afternoon shadows in the gully stretched out, the dazzle’s patterns of black and white lengthened in reflections.
The next morning, we would follow the river, watching different game around the pools of the palm-lined, mostly dry riverbed. Even here, away from the pan, daylight intensified into white-hot light. Wildlife congregated. The quiet was absolute. Flanked by scorched palms, this was the furthest thing from a resort or a Californian beach. The hulk of crocodiles on the banks sunned themselves, open-mouthed and unmoving.
We left the Boteti River, skirting a series of saltpans and slowly driving through grassland to our next camp. We cut through tall yellow grass on dusty sand tracks – alone except for the odd giraffe, a gemsbok, some wildebeest. The landscape would open up into pan and dissolve into grass. Copses of palms added to the Y-axis of this flat land. Sometimes these groves were so mirage-like you’d almost believe you were driving towards the skyscrapers of some ancient city in Delft blue on the white-hot horizon. It’s easy to understand the almost Bedouin styling of the gorgeous camps in this area – the uniqueness of the desert setting defying country names or borders.
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